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We don't
know whether we should give you the short or the long story
for The Musicologists. So, let's put it like this: from
yesteryear to today, we've been a group of kats that talk
music. We used to talk it at school lunch tables. We talked it
in college dormitories. And we talk -- or write it -- during
the day, at work. The discussions assert opinions and offer
hypotheses from minds and ears that study and process the
music like research professors. For us, music is not just
music; but sport, science, sociology and history all rolled
into one.
So why not pull the shades back and let the world peek in on
how we get down.
Each member brings something special to the composite
Musicologists body. For familiarity sakes, you might want to
know a little about the different ears and personalities that
comprise the crew.
Uncle Harry: He's the pragmatic axis point. Every crew has the
guy or girl that's level-headed, but even moreso, rarely spews
an extreme opinion, so that individual builds up a certain
amount of trust from their cohorts. Uncle's gotten more
opinionated over the years, but he still represents about the
Musicologists closest thing resembling a fair median.
Ant-Thesis: He's the ultra-emotional traditionalist with a
profound love for hip-hop and emceeing. The fact that Thesis
offers an antithesis for any Crew tendency toward soft-hearted
embracing is a key component to what makes the collective
brain tick. But if there is a Nazi in the camp, it's him. Yes,
he can get extreme, but that type of passion is infectious.
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