Here we go again… Stones Throw Records, the indie label that
has made its mission to specialize in really giving
the people what they want, has once again done just that
with the re-release of late great beatsmith
J-Dilla’s (February 7, 1974 – February 10, 2006)
highly coveted yet seldom heard, Ruff Draft EP.
Originally released in February 2003 on Dilla’s own Mummy
Records through Germany’s Groove Attack, Ruff Draft
was available exclusively on vinyl with limited
distribution, then later taken out of print. Despite the
lack of major exposure, the EP became a highly sought after
collector’s item for many Hip-Hop enthusiasts, heralded by
most as Dilla’s unheard masterpiece. Recorded after his solo
debut Welcome to Detroit and before his monumental
collaboration with Madlib (Champion
Sound), Ruff Draft can
easily be considered the missing link in the creative evolution
of J-Dilla’s avant-garde sound.
After a string of game-shaping production that began in the
mid-90s, J-Dilla aka Dill Withers, was well known for his
harmoniously melodic and infectiously soulful Hip-Hop beats, as
well as peerless in his creative contributions to the "neo-soul"
sound through his involvement with the legendary Ummah
production team and The Soulquarians. But by 2002 Dilla's sound
began to evolve significantly. The evolution was first heard
with select tracks on Trinity ("Hoes", "One", "Let's"), where
Dilla used a string of distorted electronic bass and off-kilter
rhythms. But it was heard full bloom on Common's Electric
Circus, where he incorporated classic Rock & Roll samples and a
comprehensive, electronic trip-hop sound with his subtle soul
beats, introducing a beautifully unique sonic intonation.
Dilla’s new rhythmic reverberations come to full fruition on
Ruff Draft. Immediately following a short yet apt a cappella
introduction, “Let’s Take It Back” sets it off with an amazing
electric string arrangement perfectly lacing a classic boom-bap
drum track, creating an album that plays like an “anything can
happen” movie trailer for Dilla’s new world order of beat
orchestra. Standout tracks like “The $,” “Make ’em NV” and
“Wild” (a previously unreleased bonus track) do wonders
demonstrating Dilla’s prowess as a master producer, offering
heavy percussion, unique samples and complex arrangements as
evidence. But it’s the eclectic “Nothing Like This” that stands
alone as the true apogee of this work of art; Dilla’s distorted
voice-overs and adlibs play as additional instrumentation to an
up-tempo drum track cleverly laid down over a sample playing
backwards, birthing an extraordinarily exciting display of
leading edge artistry.
Inspirational in its courageous innovation, Ruff Draft
serves as a sneak peak into the future of beat-making. And true
to form, Stones Throw, like J-Dilla and Ruff Draft, lives
up to high expectations by not just reissuing the 10 original
tracks re-mastered, but going ahead and throwing in 4 previously
unreleased bonus tracks plus a second disc containing the 10
track instrumentals as if they were reading our minds - clearly
doing its part to maintain a firm grip on its unofficial title
as the official People’s Champion of record labels.
Jay Dee redefining what you call
music. R.I.P. J Dilla
Posted
by: Josh ain't playing games
It's already been classified what it
is....a classic...
Posted
by: Sha Da Barber
"Nothing like this" might be one of
the best tracks i ever heard. Ever. I can loop it a
whole day without getting tired and the goosebumps
wont go away.
Can't explain it more than that it holds some kinda
magic feeling. Just like how Dilla always delivers,
the music Speaks To The Soul. Its a cliché, but its
damn true still...